"Out of nowhere issue of psychedelic violin minimalism from the composer Tashi Wada, son of the legendary Yoshi Wada. Like his father Wada is obsessed by the brain scrambling properties of sustained tones and maximalist microtonal confusion and Alignment—written by Wada and performed on violin by Marc Sabat, best known for his Feldman interpretations—is a massive entry in the modern minimalist canon. Alignment is scored for eight violins in just intonation, cycling through the first 128 pitches of the harmonic series which are transcribed into one octave. It starts out as series of ‘simple’ descending tones before the violins come together in a beautiful organic bloom that just sort of hangs in the air and vibrates, sucking all of the light out of the room and generating a huge brain-fogging cloud of circling tones. Somewhere between Four Violins, Time Machines and The Black Album, this is a fantastic document of higher-minded avant drone and will appeal to fans of Yoshi Wada, Takehisa Kosugi, Tony Conrad, Malcolm Goldstein, John Cale, Alvin Lucier et al." —Volcanic Tongue
credits
released October 25, 2010
Composed by Tashi Wada
Marc Sabat, violin
Mastered by Rashad Becker
Originally released in 2010 by Yik Yak (Yik Yak 018)
A really well curated selection of pieces spanning many different eras and styles. The beautiful playing of Curtis brings out the best of the composers featured here. Highly recommended. tctclr
nothing short of crushingly beautiful. i found this album around the time it came out and it didn't make sense to me then. it does now. every drone, every note, every pull & push between the sounds. my very being crushed by the softness of each and every collision. im being slowly regurgitated back into reality with each listen. warm like a mother's womb. soft like a cigarette infested pillow. i have nothing but praise for this record. i was able to feel things i did not think were possible. ppr jack
On était toujours pris sur la banquise d’anxiétés, sur le gros sel fondant avec des inconnus, et le sous-marin continuait de percer autour. Vincent Giard
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